The Fantastic Corpse is a short film project based on the exquisite corpse collaborative method. Dell Precision and AMD are working with creative content company Arts+Labor to bring five Fantastic Fest filmmakers together to create one short film, each filming an equal part, and continuing each others segment.

A rendition of the Dracula tale with many similarities to the British 1950s Dracula.

Jason, a 30-something gay firefighter who dreams of becoming a professional ballroom dancer. Set in the vibrant heart of the British seaside town of Blackpool, Jason battles the rigid traditions of the ballroom world under the close watch of his ultra-traditional instructor Reynolds. While embarking on a journey of self-discovery, he is learning to listen to his heart before he can truly dance to its rhythm.

In this partially-animated TV special, Loni Anderson salutes the funny pages with interviews with famous cartoonists AND their creations!

Follows two friends, Juan and David, they will find themselves on a rooftop terrace after an intense party in Madrid. Juan witnesses David falling to the void, and his body disintegrating into ceramic pieces after hitting a car.

该剧讲述了生命即将结束的人气电视剧编剧李素惠与顶级明星柳海成相遇后发生的浪漫搞笑、惊心动魄的喜剧爱情故事。

Gellert Grindelwald has escaped imprisonment and has begun gathering followers to his cause—elevating wizards above all non-magical beings. The only one capable of putting a stop to him is the wizard he once called his closest friend, Albus Dumbledore. However, Dumbledore will need to seek help from the wizard who had thwarted Grindelwald once before, his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

Professor Albus Dumbledore knows the powerful, dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts magizoologist Newt Scamander to lead an intrepid team of wizards and witches. They soon encounter an array of old and new beasts as they clash with Grindelwald's growing legion of followers.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.